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Examples

  • Sometimes I think we've all been cast as Diane Keaton in a remake of that SATC prequel, the 1977 singles bar scene movie Looking For Mr Goodbar - but without the 1970s moralising storyline.

    Mark Simpson and Caroline Hagood on Wo-Metrosexuality and the City 2010

  • Sometimes I think we've all been cast as Diane Keaton in a remake of that SATC prequel, the 1977 singles bar scene movie Looking For Mr Goodbar - but without the 1970s moralising storyline.

    Caroline Hagood: Mark Simpson and Caroline Hagood on Wo-Metrosexuality and the City 2010

  • MirageMan, with its rather minimal plot and ultra low budget, possibly my favourite film of Looking for Mr Goodbar (1977), and this corpus was founded on a gnawing ambiguity: was the incoherence of these texts, their dynamic contradictions, voluntary or involuntary, crafted or merely symptomatic? "

    GreenCine Daily 2009

  • MirageMan, with its rather minimal plot and ultra low budget, possibly my favourite film of Looking for Mr Goodbar (1977), and this corpus was founded on a gnawing ambiguity: was the incoherence of these texts, their dynamic contradictions, voluntary or involuntary, crafted or merely symptomatic? "

    GreenCine Daily 2009

  • MirageMan, with its rather minimal plot and ultra low budget, possibly my favourite film of Looking for Mr Goodbar (1977), and this corpus was founded on a gnawing ambiguity: was the incoherence of these texts, their dynamic contradictions, voluntary or involuntary, crafted or merely symptomatic? "

    GreenCine Daily 2009

  • MirageMan, with its rather minimal plot and ultra low budget, possibly my favourite film of Looking for Mr Goodbar (1977), and this corpus was founded on a gnawing ambiguity: was the incoherence of these texts, their dynamic contradictions, voluntary or involuntary, crafted or merely symptomatic? "

    GreenCine Daily 2009

  • MirageMan, with its rather minimal plot and ultra low budget, possibly my favourite film of Looking for Mr Goodbar (1977), and this corpus was founded on a gnawing ambiguity: was the incoherence of these texts, their dynamic contradictions, voluntary or involuntary, crafted or merely symptomatic? "

    GreenCine Daily 2009

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