Oram's

The beauty of Jonathan Munby's revival is that it is smart, sharp, and deliciously retro in Christopher Oram's 1960s design – but also full of real pain.

Company - review 2011

Christopher Oram's representational set—several moveable curved walls featuring three levels of louvered doors behind balconies, "Hollywood Squares" style—looked a little dull.

Ladies' Man Heidi Waleson 2011

Jamie Lloyd's first-rate production intersplices the martial and the romantic to disturbing effect from the beginning: light filters prettily through Christopher Oram's lovely louvred-door design on to the couple tussling amorously in bed.

Hamlet; Passion; Beautiful Burnout; Wanderlust Susannah Clapp 2010

Mr. Oram's set often pushed the action downstage, which was good for vocal projection and showcased Mr. Grandage's careful detail in the scene work.

Ladies' Man Heidi Waleson 2011

The best thing about "Red" is Christopher Oram's set, which looks just like Rothko's studio and in which Messrs. Molina and Redmayne demonstrate how a raw canvas is primed.

I've Been to a Marvelous 'Party' Terry Teachout 2010

The best thing about "Red" is Christopher Oram's set, which looks just like Rothko's studio and in which Messrs. Molina and Redmayne demonstrate how a raw canvas is primed.

I've Been to a Marvelous 'Party' Terry Teachout 2010

Designer Christopher Oram's wonderfully flexible sets and Paule Constable's ingenious lighting make the stage morph rapidly from high-windowed bedroom to courtroom, and do their work in the final coup de th tre, when the guillotine makes its startling appearance.

Two German Revolutionary Plays Restaged 2010

Christopher Oram's twin-levelled set, with its high, perpendicular windows, conveys the ominousness of the tribunal's public spaces.

Danton's Death 2010

The best thing about "Red" is Christopher Oram's set, which looks just like Rothko's studio and in which Messrs. Molina and Redmayne demonstrate how a raw canvas is primed.

I've Been to a Marvelous 'Party' Terry Teachout 2010

While claiming purest motives for himself, Oram could not grant the same courtesy to Manning; after all, the guy who holds the keys to Oram's future as a cabinet minister had already declared Manning an un-person.

Cat Fight, the new series Ed Hollett 2007