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Examples
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The NYT review of this concert “Lyrical Messages About an Inclusive America” by John Pareles included the following:
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Also on hand, in an unannounced guest turn, was Trombone Shorty, whom Jon Pareles wrote about in an earlier post.
Jazzfest: Preservation at Midnight - ArtsBeat Blog - NYTimes.com 2008
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He spoke about it to Jon Pareles at South by Southwest.
SXSW Video: Backstage With Daniel Lanois - ArtsBeat Blog - NYTimes.com 2008
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(It was a peach – Eddie Vedder seemed surprised by how much fun he had and I was too – but I will leave the musical analytics to Jon Pareles.)
Bonnaroo: A Word About Access - ArtsBeat Blog - NYTimes.com 2008
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Also on hand, in an unannounced guest turn, was Trombone Shorty, whom Jon Pareles wrote about in an earlier post.
Jazzfest: Preservation at Midnight - ArtsBeat Blog - NYTimes.com 2008
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He spoke about it to Jon Pareles at South by Southwest.
SXSW Video: Backstage With Daniel Lanois - ArtsBeat Blog - NYTimes.com 2008
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(It was a peach – Eddie Vedder seemed surprised by how much fun he had and I was too – but I will leave the musical analytics to Jon Pareles.)
Bonnaroo: A Word About Access - ArtsBeat Blog - NYTimes.com 2008
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Pareles writes that when combined with Eminem's murderous lyrics, the "bouncy beat and singsong choruses of kiddie music" that characterize Dr. Dre's production constituted a "smiley-faced nastiness (that) was enough to make Eminem a target for the censorious, which in turn gave him a new bunch of antagonists to provoke."
Jackson Katz: Eminem, Misogyny, and the Sounds of Silence 2009
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Pareles quotes Eminem's response to (unspecified) criticisms of his work with yet another non sequitir: "I didn't get in this game to be a role model."
Jackson Katz: Eminem, Misogyny, and the Sounds of Silence 2009
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As Pareles points out, if Chesnutt's songs were more conventional, they would have the makings of folk rock, but he and his musicians see other possibilities.
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