Perloff

Strangely enough, there is no such prop to be seen in Perloff’s staging, which makes the whole thing seem a bit odd.

You've gotta have heart 2008

Perhaps the most surprising thing about this staging, directed by ACT director Carey Perloff, is how timid it is despite all the marketing department’s protestations to the contrary.

You've gotta have heart 2008

Strangely enough, there is no such prop to be seen in Perloff’s staging, which makes the whole thing seem a bit odd.

Archive 2008-06-01 2008

Perhaps the most surprising thing about this staging, directed by ACT director Carey Perloff, is how timid it is despite all the marketing department’s protestations to the contrary.

Archive 2008-06-01 2008

In her afterword Perloff notes that while "the page may thus be an EKG that gives us no information about value, a computer scan that gives that gives us no information about code."

How to Edit, Chains, Flatland Lemon Hound 2008

In her afterword Perloff notes that while "the page may thus be an EKG that gives us no information about value, a computer scan that gives that gives us no information about code."

Archive 2008-05-01 Lemon Hound 2008

Carey Perloff has done a beautiful job of directing her ensemble so that the strategic silences and cryptic pauses in the script add layers of unspoken context to Pinter's play.

George Heymont: At A.C.T., The Family That Plays Together Doesn't Always Stay Together George Heymont 2011

As Carey Perloff writes in her director's note: Pinter took his characters incredibly seriously and conceived of them not as symbols or metaphors but as passionate, sexual, often violent individuals trying to protect themselves and their territory from outside dangers.

George Heymont: At A.C.T., The Family That Plays Together Doesn't Always Stay Together George Heymont 2011

Carey Perloff has done a beautiful job of directing her ensemble so that the strategic silences and cryptic pauses in the script add layers of unspoken context to Pinter's play.

George Heymont: At A.C.T., The Family That Plays Together Doesn't Always Stay Together George Heymont 2011

As Carey Perloff writes in her director's note: Pinter took his characters incredibly seriously and conceived of them not as symbols or metaphors but as passionate, sexual, often violent individuals trying to protect themselves and their territory from outside dangers.

George Heymont: At A.C.T., The Family That Plays Together Doesn't Always Stay Together George Heymont 2011