Pollock's

Early Pollocks with almost dorky figures peering through or with flat, broad color surfaces certainly give one pause: while the density and texture of the earliest drip painting in the show, Full Fathom Five (1947) shows that drip was only one thing on Pollock's mind as he echoed the painterly textures and deep color palettes of his peers, like Richard Pousette-Dart whose deep sand-textured oils resemble split marangues on top of his canvas.

Cat Weaver: Art as Curation: The (New) AB EX Story at MoMA Cat Weaver 2010

Jackson Pollock's name hidden in his painting Mural?

Boing Boing 2009

Jackson Pollock's No. 5, 1948 is the most expensive painting ever sold.

Paul Schwennesen: Priceless: The Value of Nothing Paul Schwennesen 2012

Early Pollocks with almost dorky figures peering through or with flat, broad color surfaces certainly give one pause: while the density and texture of the earliest drip painting in the show, Full Fathom Five (1947) shows that drip was only one thing on Pollock's mind as he echoed the painterly textures and deep color palettes of his peers, like Richard Pousette-Dart whose deep sand-textured oils resemble split marangues on top of his canvas.

Cat Weaver: Art as Curation: The (New) AB EX Story at MoMA Cat Weaver 2010

Gary Snyder examines Pollock's "One: Number 31" (1950) "They brought it all out, it's wonderful to see ... a great, great period." said Irving Sandler, who wrote the first major survey of Abstract Expressionism.

Mark Wiener and Linda DiGusta: Reunion -- "Abstract Expressionist New York" Opens @ MoMA Mark Wiener 2010

Rep. Scott Raecker, R-Urbandale, who chairs the House Appropriations Committee, said proceeds from the sale of Pollock's 1943 Mural would go into an endowment that could provide $5 million a year for state residents majoring in art at UI, The Gazette of Cedar Rapids reports.

Iowa lawmaker proposes selling Pollock masterpiece to fund scholarships 2011

Unlike most sculptors' drawings, but like many of Smith's vigorous works on paper, it exists only in terms of floating dabs of home-brewed ink on a flat surface, its rhythms echoing Japanese calligraphy, its lacy all-overness indebted to Jackson Pollock's poured paintings.

Works of Many Dimensions Karen Wilkin 2011

Were these frenzied silhouettes pole-dancing in black and blue drooling the white slip the sinewy gestures of Jackson Pollock's dribble?

Pollock's Last Snowflake Yasmin Elaine Waring 2011

This allows the eye to shuttle between the old and new works, perceiving gestural qualities in Mr. Chang's brushstrokes and the rhythm of a landscape in Pollock's abstract.

How to Talk Back to a Chinese Master Lee Lawrence 2011

Gary Snyder examines Pollock's "One: Number 31" (1950) "They brought it all out, it's wonderful to see ... a great, great period." said Irving Sandler, who wrote the first major survey of Abstract Expressionism.

Mark Wiener and Linda DiGusta: Reunion -- "Abstract Expressionist New York" Opens @ MoMA Mark Wiener 2010