Punk's

And what about the band formed by guitarist Laurent Brancowitz and Daft Punk's Guy-Manuel de Homem-Christo and Thomas Bangalter in 1992?

Why are Justice, Phoenix and Daft Punk so in love with soft rock? 2011

Because of Punk's grass-root's, DIY, anti = establishment ideals, the mere idea of growth, development, or improvement becomes gravely overshadowed by this malignant idea of selling-out.

Steamed at this Punk Lou Anders 2010

The performers -- some of whom appeared in Taffety Punk's previous "Riot Grrrls" all-female Shakespeares (2008's "Romeo and Juliet" and 2009's "Measure for Measure") -- have mastered a confident masculine gait and posture.

Theater review: Taffety Punk's all-female 'Julius Caesar' Celia Wren 2010

Think Air plundering lava-lamp easy listening for their Gauloises grooves or the queasy likes of 10cc, Manfred Mann's Earth Band and even Buggles looming large over Daft Punk's brilliant 2001 album Discovery.

Why are Justice, Phoenix and Daft Punk so in love with soft rock? 2011

Punk's obsession was autonomy -- independent labels, clubs installed in suburban garages and warehouses, flyers and fanzines photocopied at temp jobs after hours.

Michael Dirda reviews "Listen to This," by music critic Alex Ross Michael Dirda 2010

Daft Punk's "One More Time" was the sausage-fest that it should always be.

Super sweet 2009

To this day Daft Punk's Homework and Blümchen will remind me of those days.

Gaming Soundtracks (and not the kind you’re thinking!) Ben Abraham 2009

Daft Punk's greatest hits medley -- lounge music ...

Archive 2009-05-01 2009

Over the years, the 53 year-old co-founder of one of Punk's biggest bands has amassed a mammoth collection of books, magazines, records, posters alongside artwork, recording gear, stage clothes and song lyrics from his time with The Clash and his other bands Big Audio Dynamite and Carbon/Silicon.

Clash guitarist reveals his Rock & Roll library 2009

Punk's obsession was autonomy -- independent labels, clubs installed in suburban garages and warehouses, flyers and fanzines photocopied at temp jobs after hours.

Michael Dirda reviews "Listen to This," by music critic Alex Ross Michael Dirda 2010