Robbe

Regardless of whether his own novels will stand up as important instances of "a new departure," Alain Robbe-Grillet thoroughly understood what it would take for the novel to survive as a credible art form:

Experimental Fiction 2010

In her book Inventing the Real World: The Art of Alain Robbe-Grillet (1998), Marjorie H. Hellerstein explains that Robbe-Grillet "began by looking into the possibilities of expressing subjectivity while seeming to be objective in descriptions without emotion."

Readers in the English-Speaking World 2010

Alain Robbe-Grillet begins his essay "From Realism to Reality" (in For a New Novel) with what must be a truism:

Experimental Fiction 2010

Marche believes that Robbe-Grillet "convinced a generation of talented novelists that there was something vulgar about attracting a popular readership," and presumably the lack of "emotion" in Robbe-Grillet'swork acts as an impediment to this "popular readership."

Readers in the English-Speaking World 2010

In his essay "New Novel, New Man," from For a New Novel, Alain Robbe-Grillet defends the "New Novel" against some of the main criticisms directed at it (and at Robbe-Grillet's previous defenses of the practice).

Experimental Fiction 2010

Marche believes that Robbe-Grillet "convinced a generation of talented novelists that there was something vulgar about attracting a popular readership," and presumably the lack of "emotion" in Robbe-Grillet'swork acts as an impediment to this "popular readership."

Experimental Fiction 2010

Alain Robbe-Grillet begins his essay "From Realism to Reality" (in For a New Novel) with what must be a truism:

Translated Texts 2010

I know that Jean-Paul Sartre and Alain Robbe-Grillet almost came to blows over it in France.

Reading Workshop I « Tales from the Reading Room 2010

In her book Inventing the Real World: The Art of Alain Robbe-Grillet (1998), Marjorie H. Hellerstein explains that Robbe-Grillet "began by looking into the possibilities of expressing subjectivity while seeming to be objective in descriptions without emotion."

Experimental Fiction 2010

In her book Inventing the Real World: The Art of Alain Robbe-Grillet (1998), Marjorie H. Hellerstein explains that Robbe-Grillet "began by looking into the possibilities of expressing subjectivity while seeming to be objective in descriptions without emotion."

The Reading Experience 2010