Definitions
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Etymologies
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Examples
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Wilhelm apparently knew a good deal about music and liked to talk about it; thus Lassus could send him a letter (11 March 1578) entirely made up of musical puns and jokes, mentioning other composers such as Rore, Clemens non Papa and Arcadelt, and referring jokingly to musical terms, as in the description of ‘una baligia senza pause, coperta di passagi di molte cadenze fatte in falso bordone a misura di macaroni’ (‘a valise without rests, covered with passage-work of many cadences made from falsobordoni the size of macaroni’).
Archive 2009-06-01 Lu 2009
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A cheerful elegy by Willaert's pupil de Rore completes a stimulating disc.
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The more serious chansons resemble the reflective, affective madrigals of Rore and his successors more than they do motets.
Archive 2009-06-01 Lu 2009
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The Fourth Generation of Franco-Flemish composers (until ca.1560/65), one that has some of the best composers of the period (such as Willaert, Rore, and Gombert):
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They do not perhaps equal the work of Rore in intensity but they do rival the older master in variety of mood and seamless technical perfection – no mean achievement for a man in his twenties.
Archive 2009-06-01 Lu 2009
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The Petrarchan sonnets receive on the whole the most serious treatment, with sharply expressive thematic material in the tradition of Rore.
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Rore and the Roman school around Barrè seem the two most important of these influences, as seen in the carefully conceived declamatory rhythms in all voice parts.
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As late as the beginning of the 17th century, Cerone praised Crecquillon along with Rore and Willaert as composers worthy of emulation.
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His pupils included Rore, Andrea Gabrieli, Porta, and the theorist Zarlino.
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Del freddo Rheno, a complete sestina rather in the style of the cyclic madrigals of Arcadelt and Berchem, opens the group on a note of simple tunefulness (this piece was popular with intabulators); in other madrigals the style varies from Willaert-like seriousness (Occhi piangete), through supple contrapuntal writing resembling Rore (Per pianto la mia carne), to the chordal declamation typical of the Roman madrigale arioso (Queste non son più lagrime).
Archive 2009-06-01 Lu 2009
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