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Etymologies
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Examples
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Van Sant is filming now and the movie will release in mid 2011per reports. so he is a no go.
Twilight Lexicon » Stephen Daldry Possible Breaking Dawn Director 2010
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Like cargo pants, platform shoes and junk bonds, mind obliterating psychedelic drugs have gone in and out of fashion forever and have recently reared their airborne head once again now that Gus Van Sant is bringing Tom Wolfe's "The Electric Kool-Aid Acid Test" to the screen.
Mark Christensen: 'Acid Christ': Ken Kesey, Psychedlics And The King Of Counter Culture Mark Christensen 2010
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Like cargo pants, platform shoes and junk bonds, mind obliterating psychedelic drugs have gone in and out of fashion forever and have recently reared their airborne head once again now that Gus Van Sant is bringing Tom Wolfe's "The Electric Kool-Aid Acid Test" to the screen.
Mark Christensen: 'Acid Christ': Ken Kesey, Psychedlics And The King Of Counter Culture Mark Christensen 2010
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Like cargo pants, platform shoes and junk bonds, mind obliterating psychedelic drugs have gone in and out of fashion forever and have recently reared their airborne head once again now that Gus Van Sant is bringing Tom Wolfe's "The Electric Kool-Aid Acid Test" to the screen.
Mark Christensen: 'Acid Christ': Ken Kesey, Psychedlics And The King Of Counter Culture Mark Christensen 2010
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Gus Van Sant is currently shooting a remake of these photos.
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We took the name Sant'Egidio from the church where we prayed each evening.
Katherine Marshall: Catholic Brokers Of Peace: A Conversation With Sant'Egidio's Mario Giro Katherine Marshall 2010
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We took the name Sant'Egidio from the church where we prayed each evening.
Katherine Marshall: Catholic Brokers Of Peace: A Conversation With Sant'Egidio's Mario Giro Katherine Marshall 2010
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Luckily, Van Sant is as concerned about Milk as a person as he is with the larger issues at hand.
“Milk” echoes the joyous nature of its subject » Scene-Stealers 2008
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Le Marais, written and directed by Gus Van Sant, is a delicate draft of the beginning of a gay relationship.
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Kirk Honeycutt argues that, with this Competition entry, Van Sant is more open to what he finds, keen to absorbing the quotidian details of one particular boy's life and of the crisis suddenly thrust upon him.
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