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Examples

  • One of my favorite episodes takes place right in Burbank at a restaurant called Sebastian's; named for the egotistical owner who envisioned that he would one day have a chain of restaurants named after him as well as a self-named line of grocery store pizzas.

    Harmon Leon: Ramsay's Kitchen Nightmares: A Guilty Culinary Pleasure Harmon Leon 2011

  • One of my favorite episodes takes place right in Burbank at a restaurant called Sebastian's; named for the egotistical owner who envisioned that he would one day have a chain of restaurants named after him as well as a self-named line of grocery store pizzas.

    Harmon Leon: Ramsay's Kitchen Nightmares: A Guilty Culinary Pleasure Harmon Leon 2011

  • On Twitter Bassingthwaighte labelled Sebastian's comments "a low blow".

    NEWS.com.au | Top Stories 2011

  • He doesn't understand why Blaine's OK with Sebastian's not-so-subtle advances — or why Kurt's letting him make a play for Blaine in the first place.

    The Glee Cast Tells Us How They Really Feel About Sleazy Sebastian 2012

  • He flashes back to his younger days on the estate, recalling his complicated relationships with Sebastian's family members.

    TV on DVD 2011

  • One important detail is never depicted: Sebastian's actual death.

    Finding Inspiration in the Flesh Willard Spiegelman 2011

  • Seen up close, Sebastian's is a rainbow of blended colors: pink, white, tan, gray and even orange streaks down his legs.

    Finding Inspiration in the Flesh Willard Spiegelman 2011

  • Italiano · Paraguay: "Sebastian's Voodoo" vince tra i cortometraggi online a Cannes македонски · Парагвај: Анимираниот филм „ Sebastian's Voodoo победи на Кан

    Global Voices in English » Paraguay: Animated Film “Sebastian’s Voodoo” Wins at Cannes 2009

  • The crystalline note of that insight, so clear in the novel and so poignantly ironic in Mihail Sebastian's life, rings out across the decades.

    Tender and Tense Sam Sacks 2011

  • Sebastian's angled torso and four-square legs, together with the lifted arms of Irene's helper, hold a memory of the complex arrangements of Caravaggio's great paintings in Santa Maria del Popolo; in the same way, the bare shoulder and the spatial articulation of the piper, as he turns away from us to concentrate on playing, remind us that ter Brugghen knew Caravaggio's paintings of ambiguous musicians.

    An Artist of Dual Allegiances Karen Wilkin 2011

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