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Examples
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The group at the forefront of this movement was called the Situationist International SI.
So Much Pretty Cara Hoffman 2011
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The group at the forefront of this movement was called the Situationist International SI.
So Much Pretty Cara Hoffman 2011
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Home mentions the notorious 1989 Situationist International exhibition at the ICA that historicised the SI (a trajectory aimed squarely at the gift shop) at the same time as it was coming into focus for the generation of avant-garde leftists that gave birth to the LPA.
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Paccar Room, Royal Shakespeare Theatre, to 1 AprSSAn attempt at infecting Sheffield with a plague of irrepressible free creativity, and taking place in venues from Bank Street Arts through to the Riverside pub, Pandemic! takes its libertarian cue from Guy Debord's legendary, Parisian, 1960s neo-Marxist group the Situationist International.
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In June 1957, the Situationist manifesto is written by its co-founder and chief theorist, Guy Debord.
G. Roger Denson: Political Art Timeline, 1945-1966: Postwar Art of the Left G. Roger Denson 2011
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Home mentions the notorious 1989 Situationist International exhibition at the ICA that historicised the SI (a trajectory aimed squarely at the gift shop) at the same time as it was coming into focus for the generation of avant-garde leftists that gave birth to the LPA.
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Members of the Situationist International graffitied streets and buildings with phrases that became defining slogans and battle cries for protesters, among them:
So Much Pretty Cara Hoffman 2011
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Not only for how or what what they wrote, but also because they wrote about an interweaving, overlapping knot of things that mattered to me: poetry, resurgent Londophilia, anti-art polemics, post-Trotskyist politics, popular culture and the Situationist International.
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He read small-press classics, historical books on pirates, and manifestos from the Situationist International.
So Much Pretty Cara Hoffman 2011
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Not only for how or what what they wrote, but also because they wrote about an interweaving, overlapping knot of things that mattered to me: poetry, resurgent Londophilia, anti-art polemics, post-Trotskyist politics, popular culture and the Situationist International.
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