Strand's

Then the books were sorted and just sent out on the Strand's normal shelves.

An Author's Personal Library Lost And Found 2010

Strand's reverential pictures of "bultos" — polychrome wood statues of religious figures — are a surprise for a Marxist.

Capturing Three Worlds Apart William Meyers 2010

But, it is this point of Strand's that seems to mean most for how other businesses and nonprofits could effectively partner in the future: "What I like most about it is that it's asking consumers to participate in a meaningful way TO the cause e.g. by getting on their bikes instead of just casting an online vote."

Andrea Learned: Cause Marketing That Moves Andrea Learned 2011

Also striking are the photographs of religious statuary, notably a crucified Christ, which underline the empathy the impoverished Mexicans in Strand's photos must have felt for those whose suffering was as great as their own.

Two Sides of the Same Coin Tobias Grey 2012

These "decisive moments," as Cartier-Bresson was wont to call them, summon up imagined chatter and repartee, so unlike the still, stubborn muteness inherent in Strand's work.

Two Sides of the Same Coin Tobias Grey 2012

But, it is this point of Strand's that seems to mean most for how other businesses and nonprofits could effectively partner in the future: "What I like most about it is that it's asking consumers to participate in a meaningful way TO the cause e.g. by getting on their bikes instead of just casting an online vote."

Andrea Learned: Cause Marketing That Moves Andrea Learned 2011

You had to go back to Paul Strand's Cubist-inspired abstractions or László Moholy-Nagy's experiments at the Bauhaus to find photographs comparably austere, intricate, humble, perplexing and sensual as Groover's table-top still-lifes of kitchen utensils or her displays of colored pots and bottles.

The Poetry of the Ordinary Richard B. Woodward 2012

Keep in mind, however, that the science during Strand's time wasn't sophisticated enough to create the mammoth poster prints of today.

Trained Toward the Heavens Arnie Cooper 2011

The rooms that follow mix iconic pictures Hine's "Steamfitter" from 1920 and Strand's "Wall Street" from 1915 with a wide array of less-familiar images and names.

The Working Class Revealed Richard B. Woodward 2011

On the first floor, Strand's uncompromisingly austere photography from Spanish, North American and Mexican collections offers a hard-bitten "collective portrait" of small-town Mexican life told through photos of individuals, landscapes, studies of architecture and religious iconology.

Two Sides of the Same Coin Tobias Grey 2012