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Examples
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And while energetic Andrew Veyette portrayed the beleaguered husband in Jerome Robbins's "The Concert" 1956 with real humor and subtlety of timing, his overly brash account of the virtuoso demands of Balanchine's "Tschaikovsky Pas de Deux" pummeled the choreography's classical niceties.
With Little to Cheer Besides Balanchine Robert Greskovic 2012
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Robert Fairchild is a definite comer; Georgina Pazcoguin a blast of energy (her Anita in West Side Story Suite steals the show); Veyette always a contender.
Vishneva Stretches���As Far as She Can; City Ballet Up, Down in Perma-Crisis 2008
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Robert Fairchild is a definite comer; Georgina Pazcoguin a blast of energy (her Anita in West Side Story Suite steals the show); Veyette always a contender.
Vishneva Stretches���As Far as She Can; City Ballet Up, Down in Perma-Crisis 2008
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The evening's other duet was also its highlight: Ashley Bouder and Andrew Veyette in "Tchaikovsky Pas de Deux" 1960.
NYT > Home Page By CLAUDIA LA ROCCO 2012
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The ballet's greatest moments of expansiveness came not from her or from the female corps de ballet but from Andrew Veyette as Prince Siegfried.
NYT > Home Page By ALASTAIR MACAULAY 2011
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For the sex scene, they carry Veyette in laid out like a log and undress both protagonists on stage.
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The first duet builds from decorous meeting to rapture, with Veyette wearing a white summer suit and Hyltin a short, pretty black dress with a full skirt (costumes by Tatiana Noginova).
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Veyette removes his glasses; Hyltin puts them back on for him.
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Even if the ensemble occasionally seemed half-hearted, the leads, Peck and Angle, gave the material their all and Veyette retained his self-contained visceral power (to say nothing of his dignity) in his peculiar assignment.
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In the falling-in-love duet Veyette lifts and turns Hyltin so that her legs swirl out into space, in the familiar way of ice-dancing couples, This "floating on air" is a metaphor for love's ecstasy, but it has become a cliché and Miroshnichenko's bag of tricks is far too full of them.
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