Wiesler

The more profound source of the change in Wiesler, though, is hinted at by the title.

Lives of Others 2007

We see, first, that Wiesler is dismayed to realize that he’s been set on Dreyman because a high-ranking minister has designs on Christa-Maria and wants the writer out of the way.

Lives of Others 2007

Whatever is happening in Wiesler’s head, the one thing he clearly cannot do is talk to anyone about it, which required the filmmakers to hint at it more obliquely, but also (therefore) more bluntly.

Lives of Others 2007

Like Agent Wiesler in the film The Lives of Others, someone will listen to us now, and not understand us.

Yoani Sanchez: They Don't Know Everything, My Love... They Don't Know... Yoani Sanchez 2012

Like Agent Wiesler in the film The Lives of Others, someone will listen to us now, and not understand us.

Yoani Sanchez: They Don't Know Everything, My Love... They Don't Know... Yoani Sanchez 2012

A piano sonata ( "Sonata for a Good Man") is used as the main transformation point of the Stasi Agent Gerd Wiesler.

Film Maxine 2009

Like Agent Wiesler in the film The Lives of Others, someone will listen to us now, and not understand us.

Yoani Sanchez: They Don't Know Everything, My Love... They Don't Know... Yoani Sanchez 2012

Like Agent Wiesler in the film The Lives of Others, someone will listen to us now, and not understand us.

Yoani Sanchez: They Don't Know Everything, My Love... They Don't Know... Yoani Sanchez 2012

Not only that, Wiesler sincerely believes that he is promoting the cause of good by strengthening the East German state.

Satan Goes Secular 2010

"We are reminded of The Conversation, which kept Gene Hackman, king of the listening device, locked in a Wiesler-like solitude," writes Anthony Lane of Lives in the New Yorker.

GreenCine Daily: The Lives of Others and The Decomposition of the Soul. 2007