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Examples
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Ysaye ended up teaching my teacher, Josef Gingold, which is kind of awesome because Ysaye was living in the nineteenth century and I'm connected to him through just one man.
Mike Ragogna: French Impressions: A Conversation With Violin Virtuoso Joshua Bell Mike Ragogna 2012
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I think of the Baptist Church in Birmingham which was bombed on a Sunday in 1963, in which four young girls were killed - I wipe away my tears as Ysaye begins:
Margie Goldsmith: Singing Out for Peace with Sweet Honey and the Rock Margie Goldsmith 2011
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Ysaye teaches us a Gospel song with a four-part harmony:
Margie Goldsmith: Singing Out for Peace with Sweet Honey and the Rock Margie Goldsmith 2011
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The Franck was written for the superstar violinist of the end of the nineteenth century, Eugene Ysaye.
Mike Ragogna: French Impressions: A Conversation With Violin Virtuoso Joshua Bell Mike Ragogna 2012
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The Franck was written for the superstar violinist of the end of the nineteenth century, Eugene Ysaye.
Mike Ragogna: French Impressions: A Conversation With Violin Virtuoso Joshua Bell Mike Ragogna 2012
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"In Central Africa, people believe the rain forest is God," says Ysaye, "And they chant to imitate the God inside."
Margie Goldsmith: Singing Out for Peace with Sweet Honey and the Rock Margie Goldsmith 2011
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Barnwell, a member of Sweet Honey and the Rock, is chanting to me and 33 others at the Omega Institute for Holistic Studies where I am taking a weekend workshop with Ysaye and Anthropologist/musician, George Brandon.
Margie Goldsmith: Singing Out for Peace with Sweet Honey and the Rock Margie Goldsmith 2011
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"One if the major themes was the songs they elected to sing," says Ysaye.
Margie Goldsmith: Singing Out for Peace with Sweet Honey and the Rock Margie Goldsmith 2011
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Ysaye ended up teaching my teacher, Josef Gingold, which is kind of awesome because Ysaye was living in the nineteenth century and I'm connected to him through just one man.
Mike Ragogna: French Impressions: A Conversation With Violin Virtuoso Joshua Bell Mike Ragogna 2012
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MARTIN: And speaking of being on time, Ysaye, where was my invitation when you performed at the White House?
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