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Examples
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Of course, one should resolve in advance with the mover the amount of insurance -- generally, $5 for every $1,000 in the artwork's declared value, either through a rider on one's homeowner's policy or through the mover -- as well as instructions on how the art objects should be handled, and this should be in writing.
Daniel Grant: Moving? Take Care When Transporting Works of Art Daniel Grant 2011
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My only complain about the book was that Frank Quitely's artwork's inconsistent when it came to close-up to faces.
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A chair and ottoman were positioned below the painting of the woman in white to mirror the artwork's composition.
Dealers Get Real 2011
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Of course, one should resolve in advance with the mover the amount of insurance -- generally, $5 for every $1,000 in the artwork's declared value, either through a rider on one's homeowner's policy or through the mover -- as well as instructions on how the art objects should be handled, and this should be in writing.
Daniel Grant: Moving? Take Care When Transporting Works of Art Daniel Grant 2011
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To give you the punchline first, my definitions have to do with the artist's attitude towards her/his medium and audience and with the complexity and layering of the artwork's content, rather than its accessibility.
Athena Andreadis, Ph.D.: The Andreadis Unibrow Theory of Art 2010
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This year's winners were Thom O'Nions, Luiza Teixeira de Freitas, and Oliver Martinez-Kandt, who put together a thought-provoking exploration of any artwork's dual nature as object and idea -- or part and parcel, in the old formulation -- using pieces by artists from American Conceptual pioneers Robert Barry and William Anastasi to younger international talents like Saadane Afif and Kitty Krauss.
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Andrew Lloyd Webber's charity sold a haunting Pablo Picasso portrait for GPB 34.7 million ($51.2 million) at Christie's in London on Wednesday, four years after heirs of the artwork's first owner claimed the painting had been sold under pressure by the Nazis.
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This year's winners were Thom O'Nions, Luiza Teixeira de Freitas, and Oliver Martinez-Kandt, who put together a thought-provoking exploration of any artwork's dual nature as object and idea -- or part and parcel, in the old formulation -- using pieces by artists from American Conceptual pioneers Robert Barry and William Anastasi to younger international talents like Saadane Afif and Kitty Krauss.
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The article concludes on a reconciliatory note about how the sentimental value attached to gifts increases their value beyond merely their utility in use, citing children's artwork's value to loving grandparents as an example.
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Amid all his artwork's massive swords and towering cliffscapes and thundering skies of menace, Frazetta could flat-out make the viewers 'eye feel the "meat" of the thing.
A warrior's farewell: RIP, Frank Frazetta, master of fantasy illustration 2010
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