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Examples

  • The third Touch and Go release, a 1981 seven-inch Necros EP, was produced by Fugazi's Ian MacKaye, then the singer for Minor Threat, and coreleased by Dischord, the label MacKaye had founded with his former bandmate Jeff

    Chicago Reader 2010

  • He had said that both Peanut and Ronnie from Whiskey & Co were also in the band and I had already become friends with Peanut since he runs Barracuda Sound who we coreleased "Restless Rubes" vinyl with.

    Suburban Home Records 2008

  • He had said that both Peanut and Ronnie from Whiskey & Co were also in the band and I had already become friends with Peanut since he runs Barracuda Sound who we coreleased "Restless Rubes" vinyl with.

    Suburban Home Records 2008

  • He had said that both Peanut and Ronnie from Whiskey & Co were also in the band and I had already become friends with Peanut since he runs Barracuda Sound who we coreleased "Restless Rubes" vinyl with.

    Suburban Home Records 2008

  • Though remix compilations like last year's Electric Gypsyland (Six Degrees) have similarly repurposed raucous eastern European music for the dance floor, the material on Balkan Beat Box's recent self-titled debut (coreleased by the New York Jewish-reggae label JDub, Israel's NaNa Disc, and Germany's Essay Recordings) has a leg up on that stuff: the big beats are part of the arrangements from the beginning, not grafted on later, and they reinforce the sometimes lopsided time signatures organically, never coming off like standard-issue hip-hop or club rhythms.

    Chicago Reader 2010

  • Though remix compilations like last year's Electric Gypsyland (Six Degrees) have similarly repurposed raucous eastern European music for the dance floor, the material on Balkan Beat Box's recent self-titled debut (coreleased by the New York Jewish-reggae label JDub, Israel's NaNa Disc, and Germany's Essay Recordings) has a leg up on that stuff: the big beats are part of the arrangements from the beginning, not grafted on later, and they reinforce the sometimes lopsided time signatures organically, never coming off like standard-issue hip-hop or club rhythms.

    Chicago Reader 2010

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