Definitions
from The Century Dictionary.
- Timorous, like a hare; easily frightened.
from the GNU version of the Collaborative International Dictionary of English.
- adjective Timorous; timid; easily frightened.
from Wiktionary, Creative Commons Attribution/Share-Alike License.
- adjective
timorous ;timid ; easily frightened.
Etymologies
Sorry, no etymologies found.
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Examples
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Mr. Fearing, for that hare-hearted pilgrim would be doing things in the house that he himself would scarcely do who had been in the house a thousand times.
Bunyan Characters (2nd Series) Alexander Whyte 1878
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Turn from this hare-hearted citizen, and think of our hero, the pride of England, the flower of the human race -- Charles Gordon.
Side Lights James Runciman 1871
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Stranded Whigs, crotchetty manufacturers; dissentient religionists; the half-minded, the hare-hearted; the I would and I would-not -- shifty creatures, with youth's enthusiasm decaying in them, and a purse beginning to jingle; fearing lest we do too much for safety, our enemy not enough for safety.
Beauchamp's Career — Complete George Meredith 1868
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Stranded Whigs, crotchetty manufacturers; dissentient religionists; the half-minded, the hare-hearted; the I would and I would-not -- shifty creatures, with youth's enthusiasm decaying in them, and a purse beginning to jingle; fearing lest we do too much for safety, our enemy not enough for safety.
Complete Project Gutenberg Works of George Meredith George Meredith 1868
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Light Louvet glances hare-eyed, not hare-hearted: only virtuous
The French Revolution Thomas Carlyle 1838
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From a certain directness of construction, from the simple means by which Oak's ruin is accomplished in the opening chapters, I did not expect that the story would run hare-hearted in its close, but the moment Troy told his wife that he never cared for her, I suspected something was wrong; when he went down to bathe and was carried out by the current I knew the game was up, and was prepared for anything, even for the final shooting by the rich farmer, and the marriage with Oak, a conclusion which of course does not come within the range of literary criticism.
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George Sand must fain suppress all mention of her Italian journey with Musset, a true account of which would have been an immortal story; but of hypocritical hare-hearted allusions Rousseau and Casanova were not made; in their memoirs women never get further than some slight fingering of laces; and in their novels they are too subject to their own natures to attain the perfect and complete realisation of self, which the so-called impersonal method alone affords.
Modern Painting 1892
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