hill-bird

A crying hill-bird, the bleat of a sheep, a wind singing in the dry grass, seem not so much to interrupt, as to accompany, the stillness; but to the spiritual ear, the whole scene makes a music at once human and rural, and discourses pleasant reflections on the destiny of man.

Edinburgh Picturesque Notes 2005

A crying hill-bird, the bleat of a sheep, a wind singing in the dry grass, seem not so much to interrupt, as to accompany, the stillness; but to the spiritual ear, the whole scene makes a music at once human and rural, and discourses pleasant reflections on the destiny of man.

Edinburgh Picturesque Notes Robert Louis Stevenson 1872

A crying hill-bird, the bleat of a sheep, a wind singing in the dry grass, seem not so much to interrupt, as to accompany, the stillness; but to the spiritual ear, the whole scene makes a music at once human and rural, and discourses pleasant reflections on the destiny of man.

The Works of Robert Louis Stevenson - Swanston Edition Vol. 1 (of 25) Robert Louis Stevenson 1872

A crying hill-bird, the bleat of a sheep, a wind singing in the dry grass, seem not so much to interrupt, as to accompany, the stillness; but to the spiritual ear, the whole scene makes a music at once human and rural, and discourses pleasant reflections on the destiny of man.

The Pocket R.L.S., being favourite passages from the works of Stevenson Robert Louis Stevenson 1872

Presently the voice of the preacher came to him in wafts, at the wind's will, as by the opening and shutting of a door; wild spasms of screaming, as of some undiscerned gigantic hill-bird stirred with inordinate passion, succeeded to intervals of silence; and

Lay Morals Robert Louis Stevenson 1872

Presently the voice of the preacher came to him in wafts, at the wind’s will, as by the opening and shutting of a door; wild spasms of screaming, as of some undiscerned gigantic hill-bird stirred with inordinate passion, succeeded to intervals of silence; and Francie heard them with a critical ear.

Lay Morals 2005