Definitions
from Wiktionary, Creative Commons Attribution/Share-Alike License.
- noun A specialized type of negative film stock that is part of the intermediate process that goes from an original negative to a release element (most common in the motion picture film post-production process). The material used is itself the same as in an
internegative . The differences is that an IP has a positive image on it, while an IN has a negative image.
Etymologies
Sorry, no etymologies found.
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Examples
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I am a cosmic love pulse matrix, becoming a technicolor interpositive.
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I am a cosmic love pulse matrix, becoming a technicolor interpositive.
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This calls for the distributor to “pick up” the movie in their territory upon delivery of the negative along with standard delivery requirements, a list of numerous picture and track materials, including an interpositive print, separate music and effects soundtracks, music legal releases, the final shooting script and still photos in black-and-white and color of key cast and crew of the film.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
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This calls for the distributor to “pick up” the movie in their territory upon delivery of the negative along with standard delivery requirements, a list of numerous picture and track materials, including an interpositive print, separate music and effects soundtracks, music legal releases, the final shooting script and still photos in black-and-white and color of key cast and crew of the film.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
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If the distribution agreement calls for delivery of an interpositive and internegative, but the budget allowances for film and lab are too small, the solution is to find the extra money somewhere else.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
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If the distribution agreement calls for delivery of an interpositive and internegative, but the budget allowances for film and lab are too small, the solution is to find the extra money somewhere else.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
-
If the distribution agreement calls for delivery of an interpositive and internegative, but the budget allowances for film and lab are too small, the solution is to find the extra money somewhere else.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
-
If the distribution agreement calls for delivery of an interpositive and internegative, but the budget allowances for film and lab are too small, the solution is to find the extra money somewhere else.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
-
This calls for the distributor to “pick up” the movie in their territory upon delivery of the negative along with standard delivery requirements, a list of numerous picture and track materials, including an interpositive print, separate music and effects soundtracks, music legal releases, the final shooting script and still photos in black-and-white and color of key cast and crew of the film.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
-
This calls for the distributor to “pick up” the movie in their territory upon delivery of the negative along with standard delivery requirements, a list of numerous picture and track materials, including an interpositive print, separate music and effects soundtracks, music legal releases, the final shooting script and still photos in black-and-white and color of key cast and crew of the film.
The Movie Business Book, Third Edition Edited by Jason E. Squire 2004
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