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Examples
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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This would pose quite a dilemma if you were to say play '50's era music, wherein a lot of chords are arpeggiated (basically the single notes of chords are played one at a time instead of all together) Furthermore, with a conventional analog guitar through various picking styles different techniques can be demonstrated in order to ensue panty-dropping effects such as legatos (basically the "van halen" technique) sweep picking, pinch harmonics and false harmonics as well as natural harmonics.
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The almost vocal legatos she lavished on the melodies of the second movement spoke loudly in the quietest way, and throughout, her unhurried momentum served the music beautifully.
Music review: Juanjo Mena conducts BSO at Strathmore, with pianist Yuja Wang Post 2011
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In place of biting attacks, there were flowing legatos; in place of emotional outbursts, Krivine offered restraint, holding back the music, reining it in as it built to a judicious forte.
Krivine, NSO show lightness of being in Beethoven, Liszt Anne Midgette 2010
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