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Examples

  • The best cinematographer of the decade was this Aussie lenser.

    Archive 2010-05-01 Glenn Dunks 2010

  • The best cinematographer of the decade was this Aussie lenser.

    Design of a Decade: The Greatest Hits of the '00s - Part VI [Final] Glenn Dunks 2010

  • After making his directing debut in 2005 with the strikingly beautiful Holocaust drama "Fateless," Hungarian lenser-turned-helmer Lajos Koltai has sailed into decidedly tonier prestige-pic waters with his second feature -- adapted and exec produced by literary heavyweights Minot and Cunningham, and starring actresses such as Vanessa Redgrave, Glenn Close, Eileen Atkins and Meryl Streep, just for starters.

    Evening (2007) elena maria vidal 2009

  • The deft camerawork that Mann and his habitual lenser Dante Spinottialso adds to this sense of place and purpose.

    Alex gives a more level headed view of PUBLIC ENEMIES. He liked it, but didn’t love it… | Obsessed With Film 2009

  • After making his directing debut in 2005 with the strikingly beautiful Holocaust drama "Fateless," Hungarian lenser-turned-helmer Lajos Koltai has sailed into decidedly tonier prestige-pic waters with his second feature -- adapted and exec produced by literary heavyweights Minot and Cunningham, and starring actresses such as Vanessa Redgrave, Glenn Close, Eileen Atkins and Meryl Streep, just for starters.

    Archive 2009-08-01 elena maria vidal 2009

  • When the sirens signaled the “Bobby Patrol” was on the way, the naughty lenser hopped into the back seat of a Taxi and dashed off.

    John Landis…shocks audience at screening; quips about Lady Di, Bob Dylan, Universal unsettling! « Julian Ayrs & Pop Culture 2008

  • Shooting on location with a wintry blue-green palette, lenser Simon Pramsten frames his wide shots to underscore Sebbe's feelings of isolation and alienation.

    Variety.com 2010

  • Shooting on location with a wintry blue-green palette, lenser Simon Pramsten frames his wide shots to underscore Sebbe's feelings of isolation and alienation.

    Variety.com 2010

  • Craft contributions are strong, especially lenser Sam McCurdy's high-speed interludes and color-drained palette that makes the copious quantities of blood look practically inky.

    Variety.com 2010

  • Artificial lighting renders the visuals attractive but overly scrubbed, a pity considering lenser Rainer Klausmann's excellent credentials, including previous work with Riklis, Fatih Akin and others.

    Variety.com 2010

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