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Examples

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • Unlike the music sector, non-piratable aspects of the film business are rarely profitable (while Radiohead makes over three quarters of its income from touring, most films are lucky to cover their marketing costs for a cinema release).

    home 2009

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • The same cannot currently be said for features - ie the non-piratable / non-digital revenues are tiny, while the cost of production is generally very high.

    home 2009

  • Unlike the music sector, non-piratable aspects of the film business are rarely profitable (while Radiohead makes over three quarters of its income from touring, most films are lucky to cover their marketing costs for a cinema release).

    home 2009

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