realisms

For all of their aesthetic differences, they tend to share an interest in vernacular realisms that share the realistic mannerisms and cadences of life as its lived by my peers, the privileged solipsism of young optimistic city-dwelling liberal-arts grads, and uncertainties about the tiny worlds in which they live. "

GreenCine Daily 2009

For all of their aesthetic differences, they tend to share an interest in vernacular realisms that share the realistic mannerisms and cadences of life as its lived by my peers, the privileged solipsism of young optimistic city-dwelling liberal-arts grads, and uncertainties about the tiny worlds in which they live. "

GreenCine Daily 2009

For all of their aesthetic differences, they tend to share an interest in vernacular realisms that share the realistic mannerisms and cadences of life as its lived by my peers, the privileged solipsism of young optimistic city-dwelling liberal-arts grads, and uncertainties about the tiny worlds in which they live. "

GreenCine Daily 2009

For all of their aesthetic differences, they tend to share an interest in vernacular realisms that share the realistic mannerisms and cadences of life as its lived by my peers, the privileged solipsism of young optimistic city-dwelling liberal-arts grads, and uncertainties about the tiny worlds in which they live. "

GreenCine Daily 2009

For all of their aesthetic differences, they tend to share an interest in vernacular realisms that share the realistic mannerisms and cadences of life as its lived by my peers, the privileged solipsism of young optimistic city-dwelling liberal-arts grads, and uncertainties about the tiny worlds in which they live. "

GreenCine Daily 2009

Much as I like the images of the dinos, the fairy princesses and whatnot, I think an arrangement of varied 'realisms' will serve the book better in the long run.

Color and Light Book James Gurney 2010

Moving on to your treatment of fiction, I did not find this kind of subtlety ... on "realisms":

The Reading Experience 2009

(hopefully) creative experiment in mutual cross-contamination between a speculative medieval studies and the "speculative realism" associated with Urbanomic's journal Collapse and the "weird worlds" opened up by certain new "realisms" in the philosophical and ficto-theoretical work of thinkers such as Graham Harman, Ray Brassier, Iain Hamilton Grant, Quentin Meillassoux, and Reza Negarestani (who, we might add, is on the Editorial Board of postmedieval: a journal of medieval cultural studies).

In the Middle Eileen Joy 2010

(hopefully) creative experiment in mutual cross-contamination between a speculative medieval studies and the "speculative realism" associated with Urbanomic's journal Collapse and the "weird worlds" opened up by certain new "realisms" in the philosophical and ficto-theoretical work of thinkers such as Graham Harman, Ray Brassier, Iain Hamilton Grant, Quentin Meillassoux, and Reza Negarestani (who, we might add, is on the Editorial Board of postmedieval: a journal of medieval cultural studies).

In the Middle Eileen Joy 2010

A similar situation existed in the early aughts, after artists of the nineties re-deployed realisms in numerous ways.

Jerry Saltz: Ask an Art Critic: Jerry Saltz Answers Your Questions About George Condo, Online Art Fairs, and What Abstraction Really Is Jerry Saltz 2011