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Examples
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One of the few highlights comes on the title-track, as Nas spends nearly two minutes weaving tales of extracurricular activities only available to the victors.
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Eventually, I think it will be the title-track song for "Monkey Jungle" because that is the song that parents have told me that their children like the most.
Loaded Questions Interview: Ty Stoller and The Monkey Jungle by contributor Blake Watson 2008
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I always knew that I wanted to put other children's songs with the title-track because of the feedback I was getting.
Loaded Questions Interview: Ty Stoller and The Monkey Jungle by contributor Blake Watson 2008
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He was one of three bassists on Herb Alpert's 1979 album "Rise", which included its top-10, Grammy-winning disco/jazz title-track "Rise".
Louis Johnson - How To Thump a Bass William Harryman 2007
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Coming out today is FWD volume 4, and it includes my favorite track from Isolée's amazing We Are Monster album, "Schrapnell," along side the title-track from Captain Comatose's newest album, a Two Lone Swordsmen remix of Villalobos '"Dexter", Losoul featuring Malte, a great track by John Tejada and Arian Leviste, brilliant techno by Lindstrøm, and a gorgeous pop tech song by Rework.
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Coming out today is FWD volume 4, and it includes my favorite track from Isolée's amazing We Are Monster album, "Schrapnell," along side the title-track from Captain Comatose's newest album, a Two Lone Swordsmen remix of Villalobos '"Dexter", Losoul featuring Malte, a great track by John Tejada and Arian Leviste, brilliant techno by Lindstrøm, and a gorgeous pop tech song by Rework.
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This song was the title-track of the Presets '2004 EP (who you originally heard here, and who also appear on MFR vol. 1), and you already know full well just how much we here at MFR like Cut Copy, since they appear here every few months it seems.
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This song was the title-track of the Presets '2004 EP (who you originally heard here, and who also appear on MFR vol. 1), and you already know full well just how much we here at MFR like Cut Copy, since they appear here every few months it seems.
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On the title-track opener she declares "England's dancing days are done ...," and then launches into a withering deconstruction of the once great empire.
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Instead, the brooding protagonists of songs such as "Ray's Automatic Weapon" and "Used to Be a Cop" are captured on the cusp of catastrophe, at the end of their tether, while the adulterous itch prompted by a dancer's boots in the title-track bristles with portents of recrimination.
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