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  • "The city itself, perhaps the whole country, was a palimpsest, Under World beneath Over World, black market beneath white; when the whole of life was like this, when an invisible reality moved phantomwise beneath a visible fiction, subverting all its meanings, how then could Abraham’s career have been any different? How could any of us have escaped that deadly layering? How, trapped as we were in the hundred per cent fakery of the real, in the fancy-dress, weeping-Arab kitsch of the superficial, could we have penetrated to the full, sensual truth of the lost mother below? How could we have lived authentic lives? How could we have failed to be grotesque?" (184).

    Rushdie, Salman. The Moor's Last Sigh. 1995. New York: Vintage, 1997.

    March 14, 2010

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