Gladden's

An inspection the year before at Gladden's shop in Hampton also uncovered problems, including 13 "straw purchasers, and suspicious purchasers," records show.

Virginia gun dealers: Small number supply most guns tied to crimes David S. Fallis 2010

An inspection the year before at Gladden's shop in Hampton also uncovered problems, including 13 "straw purchasers, and suspicious purchasers," records show.

Virginia gun dealers: Small number supply most guns tied to crimes David S. Fallis 2010

One of Gladden's own employees was peddling A & P guns on the side.

Virginia gun dealers: Small number supply most guns tied to crimes David S. Fallis 2010

One of Gladden's own employees was peddling A & P guns on the side.

Virginia gun dealers: Small number supply most guns tied to crimes David S. Fallis 2010

An inspection the year before at Gladden's shop in Hampton also uncovered problems, including 13 "straw purchasers, and suspicious purchasers," records show.

Virginia gun dealers: Small number supply most guns tied to crimes David S. Fallis 2010

One of Gladden's own employees was peddling A & P guns on the side.

Virginia gun dealers: Small number supply most guns tied to crimes David S. Fallis 2010

Gladden's paper the actual queen's body and her various symbolic incarnations parallel the similitude between the politically insurgent people and the poetic swine.

Scrivener, Introduction 2001

An ideological complexity is gender, a prominent category in Gladden's analysis of the transgressive body of the "queen," and present as well in The Mask of Anarchy, particularly the last third of the poem spoken "as if" by a female "Earth."

Scrivener, Introduction 2001

Swellfoot comes to life as the transgressive body of Iona/"Queen Caroline" in Samuel Gladden's paper, while the Mask of Anarchy occasions a new meditation on committed artor rather, provokes readings by Mark Kipperman and Rob Kaufman that are an Aufebung of the older discussions of politics and art.

Scrivener, Introduction 2001

Gladden's Swellfoot places before us the queen's "body" textual and physicalthat challenges patriarchal power and its various "erections" with sexually transgressive symbolism.

Scrivener, Introduction 2001