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  • It is widely held that Hume's moral philosophy is essentially Hutchesonian, and that Hume took a stage further Hutcheson's projects of internalisation and of grounding our experience of the world on sentiment or feeling.

    Scottish Philosophy in the 18th Century Broadie, Alexander 2009

  • In a very Hutchesonian way Turnbull invites us to consider the difference we feel when faced with two acts which are the same except for the fact that one of them is performed from love of another and the other is performed from self-interest.

    Scottish Philosophy in the 18th Century Broadie, Alexander 2009

  • But it has to be borne in mind that the earliest of Turnbull's writings, Theses philosophicae de scientiae naturalis cum philosophia morali conjunctione (Philosophical theses on the unity of natural science and moral philosophy), a graduation oration delivered in 1723, shows Turnbull already working on a grand project that might be thought of as roughly Hutchesonian, but doing so several years before Hutcheson's earliest published work.

    Scottish Philosophy in the 18th Century Broadie, Alexander 2009

  • According to George Davie there is an opposition ¦ between ¦ two contrasting positions that in their tension provided Scottish philosophy with its central problem: the Berkeleian system, according to which, in the interests of reconciling progress with traditional standards, we are to set aside the instincts of the farmer in favour of the sophistication of the philosopher and to think with the learned while we talk with the vulgar; and the Hutchesonian system, according to which, with the same aim of reconciling material advance with the intellectual principle, we are to respect the instincts of the farmer as against the sophistication of the philosopher and initiate a sort of dialogue between the vulgar and the learned, instead of talking down to the farmer from the standpoint of the philosopher.

    Ted Marcel Inhoff 2009

  • Hume's principal contribution to aesthetics, does not advance a theory of taste per se, but rather a theory of the standard of taste that presupposes a broadly Hutchesonian theory of taste.) 1.

    18th Century British Aesthetics Shelley, James 2006


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