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Examples

  • D'Alembert, and d'Holbach, as well as the attentions and affections of the salonnières, especially the Comtesse de Boufflers.

    David Hume Morris, William Edward 2009

  • D. [Paul Dietrich, Baron d'Holbach] (Paris, 1752), 244 – 49. back

    The Creation of Color in Eighteenth-Century Europe 2006

  • D. [Paul Dietrich, Baron d'Holbach] (Paris, 1752); J. Haudicquer de Blancourt, De l'art de la verrerie: où l'on apprend à faire le verre, le cristal, et l'email (Paris, 1697); Pierre Le Vieil, L'art de la peinture sur verre et de la vitrerie (Paris, 1774). back

    The Creation of Color in Eighteenth-Century Europe 2006

  • D. [Paul Dietrich, Baron d'Holbach] (Paris, 1752), 523 – 24. back

    The Creation of Color in Eighteenth-Century Europe 2006

  • The Baron in question was Baron d'Holbach, the well-known French atheist. posted by Brandon | 10:23 AM

    Hume at a Dinner Party 2006

  • Pop-Quiz Question: What well-known philosopher is said to have said exactly the same thing -- to the eighteenth century French atheist, d'Holbach?

    Early Modern Philosophy Pop Quiz 2005

  • Pop-Quiz Question: What well-known philosopher is said to have said exactly the same thing -- to the eighteenth century French atheist, d'Holbach?

    Archive 2005-11-01 2005

  • David Hume, William Godwin, and d'Holbach, Shelley argued for a form of philosophical materialism in the text and notes of Queen Mab, contending that mind and thought were causally linked to the physical interactions of the material world, and would — as

    The Transcendental: Deleuze, P. B. Shelley, and the Freedom of Immobility 1997

  • The last argument was, in essence, the one advanced also by the French Encyclopedist d'Alembert and by the materialists, La Mettrie, Cabanis, and d'Holbach.

    DEATH AND IMMORTALITY JACQUES CHORON 1968

  • Turgot, Marie Jean Antoine Nicolas de Caritat, Mar - quis de Condorcet, Paul Henri Dietrich, Baron d'Holbach, and Claude Adrien Helvétius, all of whom elaborated theories of progress in which secular, dy - namic social and psychological forces acted inevitably to bring about progress in the arts, sciences, and morals.

    UTOPIA ROGER L. EMERSON 1968

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