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In this case the troubling testimony belongs to an Israeli soldier who participated in a senseless revenge killing of Palestinian innocents, but Mograbi handcrafts the layers of remorse that elude Morris's smug "interrotron."
The director also uses his famous interrotron, a unique device that allows the interviewee to look at both director and camera simultaneously, which makes an interview seem more like a confession.
He does this through the use of the “interrotron,” a self-designed camera that allows the interview subject to see a live image of Morris’s face in the eye of the recording camera.