A.E.

Russell became known as A.E., a shorthand version of an earlier pen name, Aeon, and was a major figure in the Irish Literary Renaissance, as well as a supporter of new, young writers.

Collected Works of W. B. Yeats Volume III Autobiographies W.B. Yeats 1965

Russell became known as A.E., a shorthand version of an earlier pen name, Aeon, and was a major figure in the Irish Literary Renaissance, as well as a supporter of new, young writers.

Collected Works of W. B. Yeats Volume III Autobiographies W.B. Yeats 1965

Russell became known as A.E., a shorthand version of an earlier pen name, Aeon, and was a major figure in the Irish Literary Renaissance, as well as a supporter of new, young writers.

Collected Works of W. B. Yeats Volume III Autobiographies W.B. Yeats 1965

Russell became known as A.E., a shorthand version of an earlier pen name, Aeon, and was a major figure in the Irish Literary Renaissance, as well as a supporter of new, young writers.

Collected Works of W. B. Yeats Volume III Autobiographies W.B. Yeats 1965

Russell became known as A.E., a shorthand version of an earlier pen name, Aeon, and was a major figure in the Irish Literary Renaissance, as well as a supporter of new, young writers.

Autobiographies W.B. Yeats 1965

Russell became known as A.E., a shorthand version of an earlier pen name, Aeon, and was a major figure in the Irish Literary Renaissance, as well as a supporter of new, young writers.

Autobiographies W.B. Yeats 1965

It might seem that too many writers have attempted with more or less success to reproduce the spirit of the gray Irish Sagas by retelling them, and we think of Standish O'Grady, Lady Gregory, "A.E.," and others.

The Best Short Stories of 1921 and the Yearbook of the American Short Story Various 1915

I do not wish to overemphasize the influence of Emerson on "A.E.," and indeed it is no greater than Emerson's influence over M. M.eterlinck.

Irish Plays and Playwrights Cornelius Weygandt 1914

She was the author of “a French reader for young children” entitled Micheline et Didi, which, together with these charming lithographed illustrations by her brother-in-law, the artist A.E. (“Peter”) Newbury, and slightly less interesting ones drawn by a cousin, Arthur C. Trumble (more like diagrams, really), was published in Melbourne in 1935 by Macmillans, in association with McCarron, Bird & Co.

Archive 2009-03-01 2009

Write to Sam Schechner at sam.schechner@wsj.com and Lauren A.E. Schuker at lauren.schuker@wsj.com

Outbursts Trumped Big Ratings in 'Men' Call Sam Schechner 2011