Drakulic

The latter was essentially the point made by Slavenka Drakulic in How We Survived Communism & Even Laughed, where she argued that a major contributor to the fall of socialist planned economies in the former Soviet bloc was the failure to produce the basic consumer goods that its people desired.

Socialism 1995

The kind of system that Slavenka Drakulic and others lived under was not a democratic one, so the planners had no incentive to cater to the needs of the people.

Socialism 1995

This device mirrors the out-of-body experience that Drakulic sees as central to Kahlo's story.

VQR 2009

Drakulic suggests throughout that the power of Kahlo's work lies in its ability to cry out with a pain that cannot be fully spoken.

VQR 2009

But perhaps most notably, Drakulic presents Kahlo's life and work through a gauze of ever-present pain, taking as its epigraph Kahlo's own artistic statement,

VQR 2009

This device mirrors the out-of-body experience that Drakulic sees as central to Kahlo's story.

VQR 2009

But perhaps most notably, Drakulic presents Kahlo's life and work through a gauze of ever-present pain, taking as its epigraph Kahlo's own artistic statement,

VQR 2009

But perhaps most notably, Drakulic presents Kahlo's life and work through a gauze of ever-present pain, taking as its epigraph Kahlo's own artistic statement,

VQR 2009

This device mirrors the out-of-body experience that Drakulic sees as central to Kahlo's story.

VQR 2009

Drakulic suggests throughout that the power of Kahlo's work lies in its ability to cry out with a pain that cannot be fully spoken.

VQR 2009