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The summa of this Green and quasi-feminist outlook was to be found in the libretto he wrote for the composer Michael Berkeley, whose oratorio Or Shall We Die? provided a highly sensitive register of the anti-nuclear angst that accompanied the Euro-missile debate of the mid-1980s.
In the early 1980s, for example, after Afghanistan and the Euro-missile controversy had taken their toll, there was no dialogue whatever between East and West.
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