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Examples
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It is almost cruel to view Picasso's work without explanation, for instance his great "Massacre in Korea," his literal homage to Goya's "Third of May, 1808," without so much as a hint of its parentage or reference to the 1950 Korean War mass-killing of men, women and a large number of children by American and South Korean forces.
Michael Berkowitz: The Shame of the Galleries: Stained Stein, Purloined Picasso Michael Berkowitz 2011
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It is almost cruel to view Picasso's work without explanation, for instance his great "Massacre in Korea," his literal homage to Goya's "Third of May, 1808," without so much as a hint of its parentage or reference to the 1950 Korean War mass-killing of men, women and a large number of children by American and South Korean forces.
Michael Berkowitz: The Shame of the Galleries: Stained Stein, Purloined Picasso Michael Berkowitz 2011
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But I remember being struck by Goya's weirdness: the distorted faces of the Spanish royal family, the isolated, looming figure of the Duchess of Alba Goya's lover, the strange skies.
Guardian young arts critic competition 2011: Our critics' picks 2011
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It is almost cruel to view Picasso's work without explanation, for instance his great "Massacre in Korea," his literal homage to Goya's "Third of May, 1808," without so much as a hint of its parentage or reference to the 1950 Korean War mass-killing of men, women and a large number of children by American and South Korean forces.
Michael Berkowitz: The Shame of the Galleries: Stained Stein, Purloined Picasso Michael Berkowitz 2011
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I remember wondering why Goya's paintings meant so much to me when I knew nothing about art and had never been anywhere, least of all to Madrid.
Guardian young arts critic competition 2011: Our critics' picks 2011
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On the catalog cover of Christie's evening sale Tuesday is Francisco Goya's portrait of Don Juan López de Robredo, embroiderer to King Carlos IV of Spain estimate: £4 million-£6 million.
Renewed Interest in the Old Margaret Studer 2011
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Mr. Steinhardt admires the "social intensity" of Goya's portraits of Spain's societal and political ills.
Following the Smart Art Money Kelly Crow 2011
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Some come close to Goya's horrifying late black paintings.
Return to the Grim and Dark Willard Spiegelman 2011
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He owns Goya's 1810 watercolor, "In Poverty and Barefoot goes Philosophy."
Following the Smart Art Money Kelly Crow 2011
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Another book is Goya's Last Portrait, a play by the critic John Berger.
Guardian young arts critic competition 2011: Our critics' picks 2011
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