Keatsian

Or it may be both simultaneously, hovering in Keatsian negative capability.

The Timeless in Its Time: Engaging Students in a Close-reading and Discussion of the Historical Contexts of 'Ode on a Grecian Urn' 2003

There's a great deal more going on in eighteenth-century speculations on the passions and the Sublime besides what we find in the Enquiry, but Burke's version of sublime terror has long been of particular interest to Romanticists because its signature seems to appear on nearly every example of the so-called Romantic Sublime: the boat-stealing episode in The Prelude, Wordsworth's confusion at Simplon Pass, the Ancient Mariner's experiences of terror and transcendence on a "wide, wide sea," Keatsian "dying into life," the Gothic violence of Shelley's "Mont Blanc" -- the list has gone on and on.

Re-collecting Spontaneous Overflows 1998

Directed and choreographed by Dana Solimando for Musical Theatre West, the production illuminates the Keatsian idea that beauty is spiritual and eternal.

James Scarborough: "Cats," Musical Theatre West James Scarborough 2011

Directed and choreographed by Dana Solimando for Musical Theatre West, the production illuminates the Keatsian idea that beauty is spiritual and eternal.

James Scarborough: "Cats," Musical Theatre West James Scarborough 2011

Wood treats the novelistic canon like one giant Keatsian urn, a self-sufficient aesthetic artifact removed from commerce with the dirty, human world.

2008 November | NIGEL BEALE NOTA BENE BOOKS 2008

Wood treats the novelistic canon like one giant Keatsian urn, a self-sufficient aesthetic artifact removed from commerce with the dirty, human world.

A conversation with William Deresiewicz’s article in The Nation…Following James Wood into the Desert… 2008

So there you just have the Keatsian equivalent of, you know, beauty is truth, truth beauty.

Billy Collins: A Poet's Affection For Emily Dickinson 2010

There are no signs here ofthe musical or narrative adventurousness that leavened its predecessor, 2008's Glory Hope Mountain, which means that nothing, from the Keatsian meditations on autumnal scenes in Slippery When Wet, to the muscle-flexing guitars on I Made the Law, feels like essential listening.

The Acorn: No Ghost 2010

Wood treats the novelistic canon like one giant Keatsian urn, a self-sufficient aesthetic artifact removed from commerce with the dirty, human world.

2008 November 27 | NIGEL BEALE NOTA BENE BOOKS 2008

If you read the second (surviving) sonnet he wrote, a reaction to the death of his grandmother, you will see the opposite: at the beginning, a dull parade of (mere) conventions about the bliss the dead encounter in Heaven, and then a stunning and really Keatsian ending.

small, busy flames : Stephen Burt : Harriet the Blog : The Poetry Foundation 2007