Kino-Pravda

In 1922 he launched the onscreen magazine "Kino-Pravda," and by 1925 had filmed 23 episodes exploring a dramatic new form of reportage in which he used montage to defy time and space, sometimes incorporating dynamic intertitles by Aleksandr Rodchenko.

Visualize a Soviet Utopia Kristin M. Jones 2011

The poetic power of the film, however, had a lot to do with the cinematography of the Russian-born Boris Kaufman, who worked on each of Vigo’s films and was said to be the youngest brother of Dziga Vertov, and a collaborator with him on the famous Kino-Pravda films.

Vitro Nasu » 2005 » October 2005

The poetic power of the film, however, had a lot to do with the cinematography of the Russian-born Boris Kaufman, who worked on each of Vigo’s films and was said to be the youngest brother of Dziga Vertov, and a collaborator with him on the famous Kino-Pravda films.

Capturing the Ephemeral – Boris Kaufman & Dziga Vertov 2005