Know's

Need to Know's sources were slightly more diverse, but most African-Americans appeared in stories about drugs and prisons; in the show's five segments on the economy, all sources were white.

Jim Naureckas: Public TV? It Would Be a Good Idea Jim Naureckas 2010

At the time, I made a note of Need to Know's old slogan: They've stolen our revolution, we're stealing it back, but now I can't remember why.

Clay Shirky on 'mass internet collaboration' at London's ICA Mia 2009

Need to Know's sources were slightly more diverse, but most African-Americans appeared in stories about drugs and prisons; in the show's five segments on the economy, all sources were white.

Jim Naureckas: Public TV? It Would Be a Good Idea Jim Naureckas 2010

At the time, I made a note of Need to Know's old slogan: They've stolen our revolution, we're stealing it back, but now I can't remember why.

Archive 2009-02-01 Mia 2009

As far as energy independence, even T. Boone Pickens, that Swift Boat bankroller, finds the Change Candidate's diversified energy proposals, in which drilling is but a stop-gap, superior to the Devil We Know's long term solution - a crapshoot predominantly based on drilling that has been promulgated by his Party's mass hysteria.

Michael Hughes: This Election, Plates of Human History Will Shift 2008

I know a lot of people will say that "Everyone Know's It" is just what little kids say when they want to put someone down.

NOW YOU CAN PLAY THE O'REILLY GAME TOO! 2007

What would be most interesting is to see how the lead is made up; Conservatives up at the expense of Labour and/or Lib Dems, Conservatives and Lib Dems up at expense of Labour, Don't Know's/a plague on all your parties up at the expense of all parties - we will find out tonight...

Hot off the press Not a sheep 2007

Abbott: I say Who's on first, What's on second, I Don't Know's on third.

languagehat.com: THEY. 2004

It's a question that Tech Know's LJ Rich thought she had found an answer to when she filmed a squirrel with an unusual talent.

BBC News - Home 2011

Monsters; How Do You Know's incredible delivery-room scene and its transition from light comedy to heartfelt romantic confession to self-reflexive comic reenactment of a sincere moment lost forever; the narrative break by which Sean Parker is introduced in

Slate Magazine Dan Kois 2011