Laico

Frank Laico did a terrific job, not only recording the music, but beautifully capturing the enthusiasm of the crowd.

The Good Life Tony Bennett 1998

There was barely room in that tiny club for Frank Laico to set up his console, and he finally had to rig it up in the basement kitchen.

The Good Life Tony Bennett 1998

My engineer on that first date was the great Frank Laico, and he remained my engineer for the entire time I was at Columbia.

The Good Life Tony Bennett 1998

Two weeks later I recorded twenty-four Rodgers and Hart songs with Ruby and George, with Frank Laico as engineer.

The Good Life Tony Bennett 1998

Frank Laico flew in with all of his remote recording equipment, and he spent all day setting up.

The Good Life Tony Bennett 1998

There was barely room in that tiny club for Frank Laico to set up his console, and he finally had to rig it up in the basement kitchen.

The Good Life Tony Bennett 1998

Two weeks later I recorded twenty-four Rodgers and Hart songs with Ruby and George, with Frank Laico as engineer.

The Good Life Tony Bennett 1998

In addition to Torrie Zito arranging and conducting, Frank Laico was engineer and Rudy DeHarak handled the art direction for the album cover, a beautiful photo of myself holding a red-haired baby Antonia, with six-year-old Joanna peering over my shoulder.

The Good Life Tony Bennett 1998

Frank Laico did a terrific job, not only recording the music, but beautifully capturing the enthusiasm of the crowd.

The Good Life Tony Bennett 1998

In addition to Torrie Zito arranging and conducting, Frank Laico was engineer and Rudy DeHarak handled the art direction for the album cover, a beautiful photo of myself holding a red-haired baby Antonia, with six-year-old Joanna peering over my shoulder.

The Good Life Tony Bennett 1998