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Examples

  • OXO, also known as Noughts and Crosses, is a version of tic-tac-toe for the EDSAC computer at the University of Cambridge.

    Recently Uploaded Slideshows fooman2009 2009

  • And the journey was awesome, in which we learned that it is possible to make a computer that plays Noughts & Crosses out of 304 matchboxes, but that to make the same machine play Go would end up rather large.

    What Happened? [Part 2] 2009

  • The weight and symmetry of the composition, and Leonardo's use of two light sources, coincides with Greenaway's formalist approach to film-making with his emphasis on framing and lighting to animate, examples of which can be seen as far back as in Zed and Two Noughts and most recently in Rembrandt's Nightwatch.

    Kiša Lala: Peter Greenaway Spices Up Leonardo's Last Supper Kiša Lala 2010

  • Try the Naughties rather than the Noughts- to remind us of the Naughty 90s.

    The All-For-Noughts Adam Whitehead 2010

  • The weight and symmetry of the composition, and Leonardo's use of two light sources, coincides with Greenaway's formalist approach to film-making with his emphasis on framing and lighting to animate, examples of which can be seen as far back as in Zed and Two Noughts and most recently in Rembrandt's Nightwatch.

    Kiša Lala: Peter Greenaway Spices Up Leonardo's Last Supper Kiša Lala 2010

  • The weight and symmetry of the composition, and Leonardo's use of two light sources, coincides with Greenaway's formalist approach to film-making with his emphasis on framing and lighting to animate, examples of which can be seen as far back as in Zed and Two Noughts and most recently in Rembrandt's Nightwatch.

    Kiša Lala: Peter Greenaway Spices Up Leonardo's Last Supper Kiša Lala 2010

  • The Greenaway film A Zed and Two Noughts is one of my personal favorite films.

    Weekend Weirdness Exclusive Interview: Corey Adams and Alex Craig, Directors of the Skateboarder Fantasy Machotaildrop; Trailer and Photos | /Film 2010

  • The weight and symmetry of the composition, and Leonardo's use of two light sources, coincides with Greenaway's formalist approach to film-making with his emphasis on framing and lighting to animate, examples of which can be seen as far back as in Zed and Two Noughts and most recently in Rembrandt's Nightwatch.

    Kiša Lala: Peter Greenaway Spices Up Leonardo's Last Supper Kiša Lala 2010

  • The weight and symmetry of the composition, and Leonardo's use of two light sources, coincides with Greenaway's formalist approach to film-making with his emphasis on framing and lighting to animate, examples of which can be seen as far back as in A Zed and Two Noughts and most recently in Rembrandt's Nightwatch.

    Kiša Lala: Peter Greenaway Spices Up Leonardo's Last Supper Kiša Lala 2010

  • The weight and symmetry of the composition, and Leonardo's use of two light sources, coincides with Greenaway's formalist approach to film-making with his emphasis on framing and lighting to animate, examples of which can be seen as far back as in Zed and Two Noughts and most recently in Rembrandt's Nightwatch.

    Kiša Lala: Peter Greenaway Spices Up Leonardo's Last Supper Kiša Lala 2010

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