Reginald Marsh

Still, the Army Art Collection grew in size and stature in 1960 when Time-Life editor Henry Luce presented more than 1,000 original World War II-era pieces to the Army, including works by trompe-l ' oeil still-life artist Aaron Bohrod and Reginald Marsh, the Paris-born artist whose depictions of life at war are as memorable as his piec es depicting life in New York City.

Soldiers Armed With Pencils and Paint Mark Yost 2010

Reginald Marsh painted some damned sexy pictures of healthy women riding the carousel horse.

On the Santa Monica pier. Ann Althouse 2008

This dissertation undertakes the examination and interpretation of paintings and prints of the burlesque theater produced by Reginald Marsh 1898-1954 during the 1920s, 1930s, and early 1940s.

Dissertation on Burlesque Burlesque Daily 2007

Somebody like Reginald Marsh -- it's that Italianate thing I don't like ...

Brilliance Or Bust 2007

The charms of exposed flesh: Reginald Marsh and the burlesque theater by

Dissertation on Burlesque Burlesque Daily 2007

When you say Reginald Marsh, you're invoking his Italian Renaissance-like touch in drawing.

Brilliance Or Bust 2007

And not just in comparison to the old masters, but in comparison to earlier American moderns who were realists -- George Bellows, Reginald Marsh, even Thomas Hart Benton.

Brilliance Or Bust 2007

Currin is also articulate, witty and well versed in art history, and he can certainly hold his own with an art critic who prefers the 1930s realism of Reginald Marsh.

Brilliance Or Bust 2007

Of these, Reginald Marsh produced by far the most images of this subject, and continued to do so after other artists had abandoned it.

Dissertation on Burlesque Burlesque Daily 2007

Reginald Marsh watercolor "City Harbor" (1939), in the raucous juxtapositions of Stuart Davis 's jazzy "New York Mural" (1932) and in the gaudy vaudeville performance in the Everett Shinn oil "Concert Stage" (1905).

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