Rialto's

One of the outstanding stylists of 1960s fantastic cinema was Alfred Vohrer, who achieved his most lasting fame such as it is by directing the best of Rialto's Edgar Wallace krimi series: THE DEAD EYES OF LONDON, THE HEXER, THE COLLEGE GIRL MURDERS and THE HAND OF POWER, to name a few.

Archive 2008-05-25 2008

One of the outstanding stylists of 1960s fantastic cinema was Alfred Vohrer, who achieved his most lasting fame such as it is by directing the best of Rialto's Edgar Wallace krimi series: THE DEAD EYES OF LONDON, THE HEXER, THE COLLEGE GIRL MURDERS and THE HAND OF POWER, to name a few.

His Name Rhymed With Horror 2008

After attracting further attention as the lover of a decapitated and re-capitated stripper (!) in Viktor Trivas' Die Nackte und der Satan (US: THE HEAD, 1959), Eppler made a proud addition to the repertory cast of Rialto's Wallace series, first appearing as Joshua Broad in Der Frosch mit der maske (US: THE FELLOWSHIP OF THE FROG, 1959).

A Toast to Dieter Eppler (1927-2008) 2008

So when she set out to find him, she began calling Rialto's Italian restaurants.

'Gino' Fever Grips Boston 2008

While Rialto's Wallace directors generally stayed faithful to the studio and series, Reinl prefered to remain a free agent and drifted freely from CCC back to Rialto (where he inaugurated their successful Karl May Western series with 1962's wonderfully entertaining THE TREASURE OF SILVER LAKE) and back again to CCC, where he contributed to their competing Bryan Edgar Wallace series with the outstanding THE STRANGLER OF BLACKMOOR CASTLE (1963).

Archive 2008-07-06 2008

After attracting further attention as the lover of a decapitated and re-capitated stripper (!) in Viktor Trivas' Die Nackte und der Satan (US: THE HEAD, 1959), Eppler made a proud addition to the repertory cast of Rialto's Wallace series, first appearing as Joshua Broad in Der Frosch mit der maske (US: THE FELLOWSHIP OF THE FROG, 1959).

Archive 2008-04-13 2008

While Rialto's Wallace directors generally stayed faithful to the studio and series, Reinl prefered to remain a free agent and drifted freely from CCC back to Rialto (where he inaugurated their successful Karl May Western series with 1962's wonderfully entertaining THE TREASURE OF SILVER LAKE) and back again to CCC, where he contributed to their competing Bryan Edgar Wallace series with the outstanding THE STRANGLER OF BLACKMOOR CASTLE (1963).

Harald Reinl at 100 2008

And though Jaws packed them in, up into the raised loge seats and the precipitous balcony, the Rialto's fate was sealed; within months it went X-rated.

GreenCine Daily: Gerald Ford, 1913 - 2006. 2006

If you're seeing it in Raleigh, the Rialto's box office is opening at 12:30 each day to sell tickets for shows for that given day.

catchup: roadtrip, movies, show tonight badger 2004

None of the Rialto's patrons, for instance, was permitted to follow up his first acquaintance with "the lady dealer."

The Winds of Chance Rex Ellingwood Beach 1913