Sculptors

Sculptors, painters, art students, and businesspeople rented space alongside old Jewish and Slavic and black families, several generations living in the same sprawling houses divided up into apartments.

So Much Pretty Cara Hoffman 2011

Despite the rumbling of dissent, the Association of American Painters and Sculptors trundled on.

The Armory Show, 1913 | Edwardian Promenade 2009

On succeeding pages of “The Cloud-Sculptors of Coral D,” we find that “memories, caravels without sails, crossed the shadowy deserts of her burnt-out eyes” and that the dwarf, Petit Manuel, regards this same woman “with eyes like crushed flowers.”

The Catastrophist 2010

Please let me re-offer these to think about, I made then ALL as homage to the Sage of Shepperton and his Mustangs, aerocycles, Harvards, his Cloud-Sculptors of Coral D.

Ballardian » “Ambiguous aims”: a review of Crash: Homage to J.G. Ballard [NSFW] 2010

In writing of the Sculptors of the Grand Rue, an artist collective, which partnered with British photographer Leah Gordon to orchestrate the first Ghetto Biennale, UCLA World Arts and Cultures Professor Donald Cosentino said: The artists use all the detritus of a post-industrial global economy which uses Haiti as a dumping ground.

Carine Fabius: The 2nd Ghetto Biennale and Other Pleasant News From Haiti Carine Fabius 2011

The soundtrack is interesting, the bar well-stocked and the walls lined with idiosyncratic bric-a-brac, from old New Order record sleeves to a copy of the Dictionary of British Sculptors 1660-1851.

Norwich's 10 best budget eats 2011

Sculptors who previously would place an order for half an edition are now just asking them to produce "one or two" works at a time.

The Dawn of a Faux-Bronze Age? Daniel Grant 2011

Sculptors, painters, art students, and businesspeople rented space alongside old Jewish and Slavic and black families, several generations living in the same sprawling houses divided up into apartments.

So Much Pretty Cara Hoffman 2011

On succeeding pages of “The Cloud-Sculptors of Coral D,” we find that “memories, caravels without sails, crossed the shadowy deserts of her burnt-out eyes” and that the dwarf, Petit Manuel, regards this same woman “with eyes like crushed flowers.”

The Catastrophist 2010

In writing of the Sculptors of the Grand Rue, an artist collective, which partnered with British photographer Leah Gordon to orchestrate the first Ghetto Biennale, UCLA World Arts and Cultures Professor Donald Cosentino said: The artists use all the detritus of a post-industrial global economy which uses Haiti as a dumping ground.

Carine Fabius: The 2nd Ghetto Biennale and Other Pleasant News From Haiti Carine Fabius 2011