Stott's

Stott's touch was glittering and adroit, but light, leaving the goopiness at which Rachmaninoff excels entirely to Ma, who reveled in it without excess.

Music review: Cellist Yo-Yo Ma and pianist Kathryn Stott at the Kennedy Center Anne Midgette 2010

Treasure may be at the heart of Stott's mystery, but fossils and corals are equally precious in this hybrid novel of action and ideas.

The Coral Thief: Summary and book reviews of The Coral Thief by Rebecca Stott. 2009

It allowed him a showcase for more of that lovely sound, sweeping over Stott's "Erlkönig" - like opening of the second movement, echoing the darkness of the Gershwin Prelude No. 2 he played at the start, as the piano later echoed Mariano's "Cristal."

Music review: Cellist Yo-Yo Ma and pianist Kathryn Stott at the Kennedy Center Anne Midgette 2010

This calculation, borrowed from Stott's text, by itself is inappropriate for at least some of the conditions Pielke and Matsui are trying to model.

Archive 2009-09-01 EliRabett 2009

Treasure may be at the heart of Stott's mystery, but fossils and corals are equally precious in this hybrid novel of action and ideas.

Old Media Monday: Reviewing the Reviewers Omnivoracious 2009

Treasure may be at the heart of Stott's mystery, but fossils and corals are equally precious in this hybrid novel of action and ideas.

Shelfari: Omnivoracious 2009

This calculation, borrowed from Stott's text, by itself is inappropriate for at least some of the conditions Pielke and Matsui are trying to model.

Rabett Run EliRabett 2009

Anyway, this track, by young Manchester-native Andy Stott, definitely falls into this vein of electronic production - a slippery rhythm paired with buzzing bass - but this track isn't Stott's only weapon.

Manc. (Music (For Robots)) 2006

Anyway, as I was saying, this dubstep track is just one piece of Stott's sound, which is also replete with sweet synths, strings, ambient passages, and dub-techno beats.

Manc. (Music (For Robots)) 2006

Anyway, as I was saying, this dubstep track is just one piece of Stott's sound, which is also replete with sweet synths, strings, ambient passages, and dub-techno beats.

Music (For Robots): August 2006 Archives 2006