Stravinskyan

But even though the tunes themselves aren't by Stravinsky, his syncopated rhythms and dazzling, even hilarious combinations of instruments make "Pulcinella" one of his most original, most modern, most 'Stravinskyan' scores.

Composer-Conductor Pierre Boulez At 85 2010

But even though the tunes themselves aren't by Stravinsky, his syncopated rhythms and dazzling, even hilarious combinations of instruments make "Pulcinella" one of his most original, most modern, most 'Stravinskyan' scores.

Composer-Conductor Pierre Boulez At 85 2010

But even though the tunes themselves aren't by Stravinsky, his syncopated rhythms and dazzling, even hilarious combinations of instruments make "Pulcinella" one of his most original, most modern, most 'Stravinskyan' scores.

Composer-Conductor Pierre Boulez At 85 2010

But even though the tunes themselves aren't by Stravinsky, his syncopated rhythms and dazzling, even hilarious combinations of instruments make "Pulcinella" one of his most original, most modern, most 'Stravinskyan' scores.

Composer-Conductor Pierre Boulez At 85 2010

But even though the tunes themselves aren't by Stravinsky, his syncopated rhythms and dazzling, even hilarious combinations of instruments make "Pulcinella" one of his most original, most modern, most 'Stravinskyan' scores.

Composer-Conductor Pierre Boulez At 85 2010

But even though the tunes themselves aren't by Stravinsky, his syncopated rhythms and dazzling, even hilarious combinations of instruments make "Pulcinella" one of his most original, most modern, most 'Stravinskyan' scores.

Composer-Conductor Pierre Boulez At 85 2010

It was shaped quite beautifully by Elder and made a perfect contrast with Strauss's Bourgeois Gentilhomme at the other end of the programme, with its sly borrowings and knowing neoclassicism, which anticipated the Stravinskyan brand by several years.

Northern Sinfonia/Elder – review 2010

After that, though, comes Martinu°'s first piano trio, a set of five miniatures couched ina rather vapid Stravinskyan neoclassicism that all theFlorestans 'deftness can't bring tolife, and Petr Eben's much moreintense, but ultimately rather overwrought Piano Trio of 1986.

Smetana; Martinu; Eben; Piano Trios 2010

Introducing into the 'sacred soil of the pure classic Russian tradition' JAZZ neurosis and Stravinskyan rhythmical paroxysms.

Whatever Happened to "Classical" Music? Part II The Daily Growler 2006

The Juilliard strings dug into the opening Vivace with an impressive blend of power and transparency, exactly the qualities necessary to bring a Stravinskyan edge to the work's neo-Classical contours.

NYT > Home Page By ALLAN KOZINN 2011