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Examples
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Paul Klee and Italian painters of the Trecento were another vital resource.
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Matteo used the Trecento device of dramatically shifting the scale of his Madonna because he wished to place his altarpiece within a tradition that begins with Duccio's famous Maestà of 1308, which shows a giant, enthroned Virgin surrounded by the saints.
Renaissance Siena 2007
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Matteo used the Trecento device of dramatically shifting the scale of his Madonna because he wished to place his altarpiece within a tradition that begins with Duccio's famous Maestà of 1308, which shows a giant, enthroned Virgin surrounded by the saints.
Archive 2007-10-01 2007
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Yet even with the arrival in the city of outsiders such as Donatello, Raphael and Signorelli, Trecento mysticism lingered well into the 16th century in the strange, boneless figures, extravagant gestures and intense colours of Domenico Beccafumi.
Renaissance Siena 2007
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Yet even with the arrival in the city of outsiders such as Donatello, Raphael and Signorelli, Trecento mysticism lingered well into the 16th century in the strange, boneless figures, extravagant gestures and intense colours of Domenico Beccafumi.
Archive 2007-10-01 2007
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The influence of Averroes' thought in Duecento-Trecento Italian poetry is much debated, especially how and in exactly what way it influenced the dolce stil nuovo and in particular Guido Cavalcanti.
Archive 2006-10-01 Miglior acque 2006
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The first, entitled ‘Competing cults: the legacy of the Trecento and the impact of humanism, 1350-1430’, pp. 21-93, treats mainly of Boccaccio and Petrarch and the dichotomy of Dante reception between these two poets.
Simon A. Gilson, Dante and Renaissance Florence (CUP, 2005) Miglior acque 2006
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The first, entitled ‘Competing cults: the legacy of the Trecento and the impact of humanism, 1350-1430’, pp. 21-93, treats mainly of Boccaccio and Petrarch and the dichotomy of Dante reception between these two poets.
Archive 2006-12-01 Miglior acque 2006
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The influence of Averroes' thought in Duecento-Trecento Italian poetry is much debated, especially how and in exactly what way it influenced the dolce stil nuovo and in particular Guido Cavalcanti.
Averroes In Our Time Miglior acque 2006
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The movement was, however, more broadly based than it had been in the Italy of the mid-Trecento.
IDEA OF RENAISSANCE DENYS HAY 1968
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