composition's

Rendered in a flurry of writhing strokes of oil on linen, its physically idealized (i.e., sexually objectified) male and female models writhe in independent ecstasies against a backdrop of paint cans and orange extension cables - the latter an explicit reminder of the erotic currents snaking through the composition's literal and figurative middle ground.

ArtScene: Top Exhibitions in the West Highlight Opening Weeks of the New Season ArtScene 2010

Rendered in a flurry of writhing strokes of oil on linen, its physically idealized (i.e., sexually objectified) male and female models writhe in independent ecstasies against a backdrop of paint cans and orange extension cables - the latter an explicit reminder of the erotic currents snaking through the composition's literal and figurative middle ground.

ArtScene: Top Exhibitions in the West Highlight Opening Weeks of the New Season ArtScene 2010

I turned the paw prints in to clouds and added a few more for composition's sake.

Barney Saltzberg: 'Beautiful Oops': How To Transform Mistakes Into A Finished Book (PHOTOS) Barney Saltzberg 2010

I turned the paw prints in to clouds and added a few more for composition's sake.

Barney Saltzberg: 'Beautiful Oops': How To Transform Mistakes Into A Finished Book (PHOTOS) Barney Saltzberg 2010

Rendered in a flurry of writhing strokes of oil on linen, its physically idealized (i.e., sexually objectified) male and female models writhe in independent ecstasies against a backdrop of paint cans and orange extension cables - the latter an explicit reminder of the erotic currents snaking through the composition's literal and figurative middle ground.

ArtScene: Top Exhibitions in the West Highlight Opening Weeks of the New Season ArtScene 2010

Caravaggio's potent illusionism is challenged by the astonishing construction of the painting, a slow swirl of forms that press outward from the composition's depths, a loop of light against bottomless darkness described by Saul's open arms and the horse's curved back, blocked by the "fence" of legs across the center of the picture, where human and equine limbs interlace with thundering intensity.

A Transfiguring Moment Karen Wilkin 2010

Caravaggio's potent illusionism is challenged by the astonishing construction of the painting, a slow swirl of forms that press outward from the composition's depths, a loop of light against bottomless darkness described by Saul's open arms and the horse's curved back, blocked by the "fence" of legs across the center of the picture, where human and equine limbs interlace with thundering intensity.

A Transfiguring Moment Karen Wilkin 2010

And so: Drawn down a lonely path by the wayside of New York's Central Park, quite absently and by perfect chance, old Wong found himself cradled by the lovely immensity of a maze-like, fetidly putrid grounds, of a so called 'museum zone', as was our current style guides '' nomenclaturepréférence 'slash' usage suggestion 'at the moment of the present composition's inception qua an explication exercise qua an idiocy without border.

Why is a Hog always Corpulent ? (or Another Special Exhibit at the Met) 2010

Caravaggio's potent illusionism is challenged by the astonishing construction of the painting, a slow swirl of forms that press outward from the composition's depths, a loop of light against bottomless darkness described by Saul's open arms and the horse's curved back, blocked by the "fence" of legs across the center of the picture, where human and equine limbs interlace with thundering intensity.

A Transfiguring Moment Karen Wilkin 2010

Caravaggio's potent illusionism is challenged by the astonishing construction of the painting, a slow swirl of forms that press outward from the composition's depths, a loop of light against bottomless darkness described by Saul's open arms and the horse's curved back, blocked by the "fence" of legs across the center of the picture, where human and equine limbs interlace with thundering intensity.

A Transfiguring Moment Karen Wilkin 2010