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Examples

  • I particularly like the way that juxtaposition works in so many time-travel stories as they jump-cut between and among past, present, and future space-times.

    MIND MELD: The Tricky Trope of Time Travel 2009

  • His quick jump-cut moves are sometimes reminiscent of Barry Sanders or LaDainian Tomlinson, but Moreno's lack of elite speed will probably keep him out of the draft's top 10 picks.

    Consensus hard to find in search for best RBs in draft 2009

  • Picture the 24-year-old, philosophically-inclined, possibly zonked-out Malick seeing it for the first time in 1968, watching Kubrick vault, in a jump-cut, from the dawn of man and the invention of violence into meticulously realised space travel sequences, through the Stargate hallucination into a space beyond … uh, time and space.

    Is Terrence Malick assuming Stanley Kubrick's mantle? 2011

  • A jump-cut to today's art fairs, gossipy Internet chatter, and ubiquitous and extreme extensions of what an L.A. artist said to me in the 1970s—"Hey Pete, I think I've figured out a way to make some paintings"—is hardly a jump at all.

    When the West Coast Went Pop Peter Plagens 2011

  • Picture the 24-year-old, philosophically-inclined, possibly zonked-out Malick seeing it for the first time in 1968, watching Kubrick vault, in a jump-cut, from the dawn of man and the invention of violence into meticulously realised space travel sequences, through the Stargate hallucination into a space beyond … uh, time and space.

    Is Terrence Malick assuming Stanley Kubrick's mantle? 2011

  • The jump-cut from 1895 to 802,701 lets Wells compare, in a very immediate way, the vibrant present of Victorian industrialism and the devolved far-future of the barely human Eloi and Morlocks.

    MIND MELD: The Tricky Trope of Time Travel 2009

  • Because the jump-cut ethos of the book means that it takes effort with each scene break to orient youself (which is an artistic choice in this case; this is an observation rather than a critique), which messes with the line of direction and the flow through the book, and results in a somewhat mentally strenuous reading process.

    through the dustbowl, through the debt, grandma was a suffragette ianmcdonald 2008

  • He maintains a delirious, jump-cut pace as words flash dark-to-light-to-dark, and sentences coil and snap, conjuring a macabre carnival atmosphere.

    An Amazon.com Books Blog featuring news, reviews, interviews and guest author blogs. 2008

  • Rather than simply fade out and fade in, or jump-cut, he calls attention to his move from scene to scene with the insertion of a visual effect whose closest equivalent is that moment in so many Looney Tunes cartoons when a character is momentarily electrocuted - and they suddenly turn into a black-and-white x-ray of a skeleton.

    Marshall Fine: Annals of the Overrated: Tony Scott and Unstoppable Marshall Fine 2010

  • Rather than simply fade out and fade in, or jump-cut, he calls attention to his move from scene to scene with the insertion of a visual effect whose closest equivalent is that moment in so many Looney Tunes cartoons when a character is momentarily electrocuted - and they suddenly turn into a black-and-white x-ray of a skeleton.

    Marshall Fine: Annals of the Overrated: Tony Scott and Unstoppable Marshall Fine 2010

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