Definitions

from The Century Dictionary.

  • noun In music: That branch of polyphonic composition which concerns the correct combination with one another of the several voice-parts; counterpoint (in the modern sense).
  • noun The sum of the relations of the voice-parts of a particular piece to each other; the melodies of the several voice-parts taken collectively.

Etymologies

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Examples

  • He treated dissonance boldly, even on occasion using the augmented 6th and octave, though always in a context of smooth part-writing.

    Archive 2009-06-01 Lu 2009

  • The first thing Cope coded into his program was the rules of basic part-writing.

    The computer composer Edward Willett 2006

  • The first thing Cope coded into his program was the rules of basic part-writing.

    Archive 2006-09-03 Edward Willett 2006

  • The point is that the development of musical knowledge (rise of part-writing, increased interest in instrumental music, etc.), demanded a more exact system of notation than had previously existed, just as the development of science in the nineteenth century necessitated a more accurate scientific nomenclature, and in both cases the need gave rise to the result as we have it to-day.

    Music Notation and Terminology Karl Wilson Gehrkens 1928

  • The fermata was first used in imitative part-writing to show where each part was to stop, but with the development of harmonic writing the present practice was inaugurated.

    Music Notation and Terminology Karl Wilson Gehrkens 1928

  • This change was made because the development of writing music in several parts (particularly _harmonic_ part-writing) made necessary a "leading tone," _i. e._, a tone with a strong tendency to move on up to the key-tone as a closing point.

    Music Notation and Terminology Karl Wilson Gehrkens 1928

  • One can see what Purcell had gained by his study of Italian part-writing for strings, but he could not help penning picturesque phrases.

    Purcell Runciman, John F 1909

  • Themes, part-writing and harmony are closely bound up in one another, and harmony is not the least important.

    Purcell Runciman, John F 1909

  • In several of the sonatas the part-writing strikes one as being somewhat poor and meagre; in others there is, to the modern ear,

    Joseph Haydn Hadden, J Cuthbert 1902

  • The form is concise and symmetrical, the part-writing is clear and well-balanced, and a "sunny sweetness" is the prevailing mood.

    Joseph Haydn Hadden, J Cuthbert 1902

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