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One can see him shuffling, hangdog, compressed, with the rope around his neck, then erupting out of nowhere into Lucky’s famous semi-Pentecostal speech: “… A personal God quaquaquaqua with white beard quaquaquaqua outside time without extension who from the heights of divine apathia divine athambia divine aphasia loves us dearly with some exceptions …” “Mêlée, final vociferations,” wrote Beckett in the stage directions.
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