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Madonna enthroned among the Cherubim in her oval mandorla, upheld by four puissant fair angels, turns with a gesture most natural and lovely to St. Thomas, who kneels to her, his drapery in beautiful folds about him, lifting his hands in prayer.— Florence and Northern Tuscany with Genoa With Sixteen Illustrations In Colour By William Parkinson And Sixteen Other Illustrations, Second Edition
When the cluster of angels had reached its place, this mandorla, which was fastened to the aforesaid little rope, was lowered very gradually by the unwinding of the rope with another little windlass, and arrived at the platform where the Representation took place; and on this platform, precisely on the spot where the mandorla was to rest, there was a raised place in the shape of a throne with four steps, in the centre of which there was a hole wherein the iron point of the mandorla stood upright.— Lives of the Most Eminent Painters Sculptors and Architects Vol. 02 (of 10), Berna to Michelozzo Michelozzi
Within the mandorla was a youth about fifteen years of age in the guise of an angel, girt round the middle with an iron, and secured by a bolt to the foot of the mandorla in a manner that he could not fall; and to the end that he might be able to kneel, the said iron was divided into three parts, whereof one part entered readily into another as he knelt.— Lives of the Most Eminent Painters Sculptors and Architects Vol. 02 (of 10), Berna to Michelozzo Michelozzi
Thus, when the cluster of angels had descended and the mandorla was resting on the throne, the man who fixed the mandorla with the bolt also unbolted the iron that supported the angel; whereupon he issued forth and walked across the platform, and, having come to where the Virgin was, saluted her and made the Annunciation.— Lives of the Most Eminent Painters Sculptors and Architects Vol. 02 (of 10), Berna to Michelozzo Michelozzi
Page 196, line 18, _for_ "an oval space" _read_ "a mandorla."— Lives of the Most Eminent Painters Sculptors and Architects Vol. 01 (of 10), Cimabue to Agnolo Gaddi

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